The Lost Tone part 1
The Sun radiates a divine pulse, symbolizing humanity's connection to the Creator through sound. Ancient symbols from Hebrew, Egyptian, Lakota, Zuni, and Mayan cultures intertwine, reflecting a universal harmony and transformative energy.
The search for the sound, tone, and pitch of the Creator in Creation is a long-lost mythol-ogy. Ancient, phonetic language mirrors the sound of the Creation. A hu-man (a toned human) may attune to, or atone to, the energy field of Creation- bringing true enlightenment through unification with the Lost Tone.
Philology, the history of the transmigration of phonetic words, deviates from the purity of how the master language toners originally received the sound from our Sun, which gives a low, almost inaudible pulse. I propose that the pulse frequency of the Sun, heard by ancient practitioners in deep states of prayer or meditation, was transmuted into the perfect sound, tone, and pitch of ancient words. The “perfect Logos” (as expressed in John I) and Pi (Exodus 3:14) is an extension of the sound of the Sun, which is the key to unlocking both the name of God and the secrets of the Ark of the Covenant.
The sound of the Sun gave rise to the tetragrammaton: the four-letter Hebrew word ‘mn. The phonetic of the Hebrew name of God in Exodus 3:14 has the tetra- grammaton YWHW, which means “I am that I Am.” Due to the lack of vowels, there is no phonetic sound, but this non- utterance has been interpreted as “Yaweh”.
The ancient Egyptians also had a tetragrammaton for “I Am”, which is HWFW (see Peter Lemesurier – The Great Pyramid Decoded, 1977). Lemesurier deducts that “KuFu” was transliterated over centuries from HWFW, as it has no vowel tones. “KuFu” is phonetically “KuhFuh”, which again transliterated from “uh” to “uuu”.
YWHW can also be compared to the Hopi’s “Tiwa” (Taiowa). Phonetically, the “T” is an accent that stems from Central Ameri- can languages, which influenced the later American Southwest. The real phonetic is “Iwah”. For example, the name of the Aztec city in Mexico, Tenochtitlan or “Enoch Land” (the Biblical Prophet Enoch), was taken up by YWHW and was seen in visions by early Aztec and Maya.
The Lakota’s Great Spirit, “Wakan Tanka”, also referred to as the Great Mystery, The Unknowable, and Grandfather (Tukashila), has the same pulse as the sound of the Sun. Many Lakota words are born from this, such as “Wakanpi” (all things above mankind), “Wakan Wanantu” (superi- or Wakan), and “Wakinyan” (Thunderbird).
Awonawilona is the Native American Zuni name for the Creator. Awonawilona is a divine spirit with no human form or attributes, embodies both genders, and is never personified in Zuni folklore. Again, there are the two phonetic “Ws” just as in the Hebrew tetragrammaton.
In Australian Aboriginal mythology,
Baiame (or Biame, Baayami, Baayama or Byamee) was the Creator and “Sky Father” in the dreaming of several Aboriginal Australian peoples of south-eastern Australia, such as the Wonnarua, Kamilaroi, Eora, Darkinjung, and Wiradjuri peoples. The pulse appears to have its roots in the same place by dropping the “B” at the front, which gives us “Aayama”.
The Mayan god Itzamná (pronounced Eetz-am-NAH and sometimes spelled Itzam Na) is one of the most important of the Mayan pantheon of gods the creator of the world and supreme father of the universe who ruled based on his esoteric knowledge, rather than his strength. The Australian “Baayami” is similar to the Mayan “Itzamná”. If the accent at the front of each word is removed there is a similar vibration. “Aayami” and “amna” have the same root pulse.
To summarize, the sound of the Sun makes a “Wawawawa” pulse that is ongoing and inextricably linked to the sounds, tones, and pitch of ancient words:
Hebrew: YWHW Egyptian: HWFW Australian: Baayami Maya: Itzamna
African Zuni: Awonawilona Lakota: Wakan Tanka
Just as disharmonic tap water left frozen in a chamber can be restructured to perfection when exposed to the sound of the Sun, we humans can transform ourselves when exposed to perfect LOGOS.